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Cranking up the decay time past the 6s mark was very useful for sound design, and I found myself throwing low pass filtered kick drums through the long reverb to create subsonic booms that shook my studio. It takes mere seconds to create anything from a small closet-style reverb, all the way to a 3.2s hall verb. The UI for Cinematic Rooms is very user-friendly and incredibly easy to navigate. With a manageable number of parameters, excellent sounding simulations of chambers, as well as small and very large rooms such as halls and cathedrals can be created. It is amazing how natural and nuanced an algorithmic reverb effect can sound. The audio quality meets the highest demands. The quality is on-par or better than its competitors, but hands down wins for being able to quickly and intuitively dial in a space.Ĭinematic Rooms shines as a reverb effect with crystal-clear and detailed sound, which shows its strengths especially in film, game and production music, but also in Ambient and similar genres. Jon Thornton – Resolution Magazine (Autumn 2020)Īt a price of $399 for the professional version, it is a must-have for anyone working in post sound, especially if you are mixing in Atmos. You’d still have to prise Altiverb out of my cold dead hands for some things - but Cinematic Rooms might well be the only other reverb you will ever need for some years to come. Whilst variations of some of these approaches have been around in other multichannel reverb plug-ins (Exponential Audio’s excellent Phoenix springs to mind), they don’t come close to the scale and flexibility on offer here.
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The ability to apply scaling to nearly every parameter in every plane is eyeopening in terms of sound design and creating immersive sound. Cinematic Rooms is a very high-class algorithmic surround reverb, and although some of its features are designed with post-production users in mind, it works extremely well in music mixing and in stereo too.
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